Jiu Jiing Mo Shui Hua can be described as almost magical. This ancient East Asia-based art form exudes a timeless grace that speaks directly to the soul. Imagine an artist gliding a brush across rice-paper, leaving behind strokes which are both deliberate as well as spontaneous. Each mark tells an individual story. It captures the stillness of a moment and the movement of a breath. Read my blog for insights and tips on painting.

Ink is not only about black or white. This is a symphony of hues and shadows in which every color has a distinct voice. Imagine a master artist sitting at a calm pond with a brush in his hand, dipping it into ink. It’s like liquid poetry. With each stroke he conjures mountains in a misty haze or delicate bamboo moving in the breeze.

Now let’s discuss technique. You may think that precision is the key, but it’s actually more complicated than you realize. It’s true that control is key, but mastery comes by letting the ink naturally flow. It’s the same as life. Sometimes, you have to steer and sometimes you have ride the wave.

What about waves? Have you ever created one? It’s much harder than it looks. For the top, start lightly and move down to get more depth. It’s like playing around with gravity.

But don’t start me off on landscapes. Capturing the essence and beauty of nature is more than just technical skill. It requires heart. Imagine trying your best to capture a mountain range, or a whole forest in just 1-2 inches of paper. It is intimidating yet thrilling!

But hey! Who says ink-painting has to always be serious? Some artists add humor to their work, such as a cheeky monkey peeking from behind the leaves or a fisherman with an exaggerated look. These little quirks can add personality and warmth to otherwise sombre scenes.